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Moses Wopp, sitting with Clarence Crump on a bench near the door had hitherto been enjoying himself hugely. Now fearing injury to his beloved dog he rushed boldly to the rescue. Clarence followed more slowly. It was but the work of a few moments to separate the combatants and remove them from the church. Jethro borne away to a safe distance in the arms of Moses still uttered occasional rumbling growls, each individual hair on his spine standing erect. Clarence kept a firm hold on Snappy’s collar.,

Betty and Maria, whose reviving interest in the quilt had drawn them from their play to the somewhat crowded parlor, now reported several vehicles to be in sight. They hastened with this information to Mrs. Mifsud in the kitchen, that important domain whence a savory odor had been issuing for some time.,

With a patient hand removin’,

“I’ll help a lot. You shan’t have a bit more trouble, sister; nor mamma, either.” He began to distribute the plates with noisy clatter.

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“Now, Mosey, Mar’d be as mad as a wet hen ef she heard you. I want two bits to give to the heathens in Arfrica an’ Mar don’t pay me fer doin’ chores like she pays you. Wisht I was a boy.”,

From the waist down, Moses’ masculine and uncouth figure seemed to utter a dull protest against cut-me-downs. There are many forces in life that growing youths are not able to control. One of these, in the career of Moses, was the inexorable will of his mother that ordained homemade garments for his nether limbs. Made from his father’s discarded trousers of black and grey check, the new pair of abominations that adorned the legs of the youthful Wopp bore evidence to the unskilled fingers of the maker. They had the generous dimensions allowed by an imaginative and economical mind that could look into the future and could see legs lengthening and a general expansion. In fact, the coarse checked tweed fell in slight gathers, fore and aft. The dingy greenish-grey coat that slouched from Moses’ shoulders did not fail to heighten the effect, but seemed to set the costume in italics.,

“You’re the only girl I’m afraid of in that line. Isn’t that so, Pretty?”,

“Billy Boy, it’s fine! It’s splendid! But it’s so big I’m afraid Buzz will be scared.”